"The Hermitage" of Kelly Dundee
(Sky & Fiona's
destination.)
Kelly Dundee's spread is
eighteen miles from the nearest town. That means a grocery
run or trip to the hardware store requires a dusty, winding,
six-mile drive down a rugged semi-improved road to the nearest
paved county road—seven more miles to the nearest state
highway—then five more miles to the thriving metropolis
of Redcliff, the town in question, which is little more than a
gas station, a general store, two restaurants (one of which is a
Jack in the Box!), a County Sheriff's sub-office, and a
scatter of houses (and trailers).
She has had no neighbors to speak of, other than the Matos, and
their place is four miles away as the crow flies. A visit
requires taking a semi-treacherous horse trail up and over two
intervening rocky ridges. That has the virtue of being
a good workout for one of Kelly's horses. There is the
option of a tedious drive halfway to Redcliff, then looping back
towards Ryegate Falls, then finding the turnoff to the Mato's
rugged semi-improved road, but that takes about half a
day. Longer in winter. The horse trail is
better. Except in winter.
Kelly Dundee
|
The mistress of The Hermitage is a 40-something redhead and is
in excellent physical condition thanks to her routine
of hiking, running, horseback riding, and yoga. Her
features are even and unarguably attractive, she likes her
straight, ginger-red hair cropped short, her eyes are green, and
her height is exactly 5' 3½" (1.61 m).
Skylar Dundee is Kelly's cousin, and together with her parents
the "Little Tyke" had vacationed at The Hermitage for two weeks
when she was ten. Little Sky had had an absolute
blast! She'd been in tomboy heaven!
Kelly was very much looking forward to her fellow redhead's
imminent return as a scholar in her early twenties, as well as
meeting Sky's friend Fiona.
The main residence at
The Hermitage is a large, single-story log structure. The
compound also includes a much smaller log cabin workshop for
Kelly's leather-working business, a stable and corral for her
"herd" of three horses, and various other small
outbuildings. Recreational opportunities include a small
pond out in the valley about a quarter mile from The Hermitage
(suitable for splashing, floating, and sunbathing on the grass),
as well as a network of riding and hiking trails (okay, game
trails) that wind through the surrounding hills.
In the middle of nowhere? Yes, but Kelly loves her
isolated existence in the splendor of the Mountain West... and
thanks to satellite broadband access she can live on the ranch and
maintain the internet connection with her agent and
publishers required by her main career, that of a
successful author.
Kelly is widely known for her bestselling fantasy
action/adventure novels. A few are considered "Steampunk,"
but most are squarely in the Medieval Fairy Tale milieu, and her
publisher has pigeonholed most of her bibliography in the Young
Adult (YA) category. Kelly's protagonists are almost all
beautiful teenage princesses (or beautiful teenage commoners who
don't know that they're secretly princesses),
and the action usually involves her fleeing from wicked
relatives, evading an invading army, or going on a quest to slay
a rampaging dragon, dismantle the neighboring kingdom's slavers
guild, defeat a bandit chieftain preying on the peasantry, etc.,
etc.
And yes, there are dragons. Also unicorns,
fairies, elves, and trolls, as well as the occasional wise and
intelligent talking wolf, bear, owl, or eagle. Such
elements are more or less required. They allow Kelly's
young readers to imagine entertaining encounters while indulging
in blatant wish-fulfillment. However, there is no magic
in Kelly's stories. Kelly doesn't do magic.
(Okay, there's a little magic, but not much, and she
always makes it clear that supernatural elements might or might
not be happening.)
Kelly's book-series are very popular with their target
audience, and have been critically well received.
On those infrequent occasions that her publisher succeeds in
talking Kelly into leaving The Hermitage for a book signing
and/or to attend a convention, she finds herself surrounded by crowds
of squealing tweens clamoring for her autograph, as well as
cos-playing clones of her most popular characters begging for
costume advice and to allow their friends to take their photo
posing with their favorite author.
Kelly has also written a few "mainstream" novels that are also
successful, but it's her YA output that pays more than half the
bills and pads her investment portfolio.
And as previously mentioned, Kelly has an additional revenue
stream: her leather-working business. She designs and
fabricates custom leather apparel and accessories in the form of
jackets, vests, belts, and bracelets, as well as "novelty
accessories" in the form of cuffs, mittens, armbinders,
harnesses, hoods, muzzles, etc. That's right, bondage
gear!
Kelly's more restrictive creations are in great demand among
wealthy connoisseurs and are universally acknowledged as being
exquisitely well-made, to incorporate attractive and
innovative features, to fit perfectly, and above all, to be
stylish and beautiful. They're also totally
inescapable. Kelly's output is limited and her on-hand
inventory virtually nonexistent (not counting her growing
collection of prototypes), but her wealthy customers don't mind
waiting weeks or even months for their deliveries. They're
after quality, swank, and the prestige of owning a "Dundee
Binder."
The business is low volume but with a substantial profit
margin, and to maintain quality Kelly's designs must undergo extensive
testing.
Lorelei Mason
|
That's where Lorelei Mason comes in.
The 20-something, 5' 5" (1.65 m) blonde hails from the hamlet of
Moora in Western Australia. She's Kelly's sole employee
and the only other permanent resident of The Hermitage.
Lorelei's job title is "Wrangler and Roustabout," which
translates as "the person who cares for the horses and fixes
anything that needs fixing." And oh-by-the-way, Kelly has
decided that "Bondage Gear Test Subject" also falls
within the scope of Lorelei's employment.
This might have posed legal and social challenges for
Lorelei's boss; however, as it turned out, the "Ozzie Gull" in
question doesn't at all mind serving as Kelly's "Bondage Barbie"
(not to be confused with "Shrimp on the barbie.")
At the moment, the horses were in the pasture, busy doing horse
things and not wanting for water, grooming, or anything else
requiring Lorelei's attention, and nothing on the ranch needed
painting, hammering, repairing, or replacing. So...
Lorelei had no credible excuse for why she couldn't be naked,
bound in Kelly's latest creation, and wiggling, twisting,
squirming, and struggling to escape said creation with the
required due diligence.
Nakedness was required as clothing might interfere with the
leather ensemble undergoing evaluation. A feeble excuse,
yes, but an established element of Kelly's testing protocol
nonetheless.
Lorelei strenuously wiggled, twisted, flexed, and strained her
fit, tan, eminently healthy body. The placement and number
of straps and buckles were critical elements of the product
being testing, as well as the number and spacing of the holes or
slots punched in the straps required to secure the
buckles. Therefore, the test subject (Loreli) had to
demonstrate the range of motion that was allowed by the
design. Kelly needed to assess how the helpless and naked
blonde's escape efforts affected the tightness and complementary
looseness of the various elements of the harness, binder, or
whatever restrictive design was undergoing evaluation.
The location of the current test was Kelly's "Writing Room" in
the main house. It was one of the largest rooms in the log
structure. An expanse of tall windows afforded a pleasant
and relaxing vista of the surrounding landscape, there was a
large desk for Kelly's desktop computer, a comfy office chair,
an overstuffed easy chair (with ottoman) for reading, and a
comfy chaise-lounger/daybed for catnaps—not that Kelly
frequently indulged in catnaps. Kelly Dundee had things
to do!
At the moment it was Lorelei who was reclined on the
lounger/daybed in question, and she was definitely not
taking a catnap. The blonde was naked (as required by
proper protocol), and was busy conducting the initial test of
Kelly's latest leather creation.
The creation in question was a "full-body-harness." It
restrained Lorelei with her arms at her sides, her legs
together, and from her neck to her ankles in a complex web of
horizontal, vertical, and diagonal narrow straps. It also
included a broad, rather stiff collar and integrated wrist and
ankle cuffs. A row of steel rings, spaced a few inches
apart, ran down the front of the harness and served as anchoring
points for the straps. As this was a prototype, all of the
leather was natural cowhide, "belt blanks" that were conditioned
with oil so as not to be excessively stiff, but were not
stained.
However, the harness was also a final prototype.
The rivets securing the straps through the rings were all in
place, all the functional/ non-decorative stitching was
complete, and the lengths of the straps (including the free ends
dangling from the buckles, once they were secured), were
finalized. The next step in the design process would
require making choices about the color and texture of the
leather, the color and finish of the metal hardware, and any
additional decorative details, such as tooling or embossing;
however, the prototype was 100% functional.
The harness gave every appearance of being completely
inescapable. The straps included leather sleeves for
retaining the free ends emerging from the buckles, so none of
them were flopping around as Lorelei struggled. Her
efforts were accompanied by quiet but noticeable creaking
sounds as the leather flexed, also a faint and somewhat
musical tinkling was coming from six tiny and empty buckles
dangling from strategic locations. There were also steel
D-rings periodically sewn into the harness down its length on
either side, but they were silent when they moved... if they
moved.
The unused buckles were there to secure "accessories," some of
which were established designs and already in Kelly's catalog,
and some of which were still in the early design phase.
They included:
Brassiere or Boob-Related Attachments.
These included metal cups, either smooth inside and out or
with their interiors lined with tiny needle-like
points—close-fitting hemispherical cages or nets of
interwoven wire or leather thongs—and narrow straps that
passed across the wearer's breasts, anchored a steel ring over
each nipple, and could be tightened to compress/dimple the
breasts in question.
Bikini-bottom/Crotch Attachments. These varied
from a simple narrow straps that cleaved the wearer's
pussy and bisected her butt-cheeks—triangular
bikini-bottom/thongs that "modestly" covered her lady-bits and
bisected the wearer's butt-cheeks—and a "Hitachi-harness" that
anchored a wand-type vibrator with its business end firmly
pressed against the wearer's pussy. Both the
existing and notional designs came with and without
penetrators for more intimate captivity, and some
were wired for electrical stimulation.
Foot and Toe Attachments. The ankle-cuffs' empty
buckles were ready to secure a mini-harness that would bind
the wearer's feet together and bind her big
toes—"tiptoe-sandals," networks of narrow straps that bound
the feet in the on pointe position—and toe-cuffs with
long, narrow straps that tightened to lock the feet back in
the opposite of on pointe.
This was a test of Kelly's latest (and hopefully improved) basic
full-body harness design, so none of the possible attachments
were in use. (Hence the empty buckles.)
As for the D-rings, they would be used to pin the harness-bound
wearer in place, either horizontally to a bed or bondage table,
or vertically in some form of suspension. Again, at the
moment none of the rings were in use. The current test was
of the flexibility or restriction allowed or imposed by the
unaccessorized harness.
Lorelei stopped struggling, lay still in the tight embrace of
the web of leather straps, then blew an errant strand of hair
from her face and favored her boss with a saucy smile. The
straps were tight enough to ever-so-slightly dimple her firm,
smooth, tan skin, even when she wasn't struggling. Lorelei
was panting, but just a little. She was also glowing, but
again, just a little. "Well," she grinned, "it works."
Kelly smiled down at the naked, leather-bound, and helpless
young blonde. "So it would seem," she agreed, "but you
know I'm a big believer in... thoroughness." She turned
and strolled to a combination cabinet/chest-of-drawers across
the room. "Go ahead and take a break, if you feel the
need... then get back to work."
"Ya mean back to work bein' naked, bound, an' helpless?"
"And struggling," Kelly added, then opened a drawer and pulled
out an example of one her earliest and bestselling catalog
items: a ball-gag. Its spherical mouth-plug was black
silicon-rubber, a narrow leather strap passed through the ball,
and was attached on either side to a pair of D-rings that, in
turn, were attached to the ball-gag's wider main strap that
would buckle against the nape of its hypothetical wearer's
neck. The leather of this particular gag was a shade of
brown that Kelly especially liked, and all the steel hardware
had a gold finish.
"Mrrrmpfhrrrm!" Lorelei complained (with an Australian accent)
when Kelly crammed the black rubber ball into her
mouth—"Nrrrrrm!"—then buckled the main strap tight under her now
somewhat tousled blond hair. Lorelei tossed her head to
dislodge the gag and/or restore order to her golden
tresses. She was unsuccessful on both fronts.
"Mfffffh!" Lorelei glowered at her smiling employer as
Kelly strolled back to the drawer... then returned with a black
cloth sleep-mask with an elastic band. The blindfold
wasn't one of Kelly's creations, but it did a quite adequate job
of robbing the irate blonde captive of the gift of sight and
hiding most of her petulant gagged scowl.
Kelly usually didn't go in for bondage overkill (although
Lorelei might have a different opinion of the subject), but the
grinning redhead did believe in doing things right. For
that reason, she returned to the cabinet a third time and this
time lifted a set of wireless headphones from its recharging
unit. She hadn't manufactured them either, of course, but
she had accessorized them with a pair of buckling straps that
insured that once the headphones were properly in place, they'd
be on to stay. Kelly placed the headphones cups over her
test subject's ears, tightened one strap across the gagged and
blindfolded blonde's forehead and buckled it in the back, then
buckled the second strap under her chin.
Apparently in response, Lorelei resumed her testing duties with
renewed vigor... either that or she was putting on a show of her
aggrievement and disgust.
Kelly smiled and watched as her favorite Ozzie Gull rolled,
twisted, kicked, and squirmed, to the limits imposed and allowed
by the new harness design. Since Lorelei could no longer
see her, Kelly made no effort to conceal her leering/gloating
smile behind a facade of professionalism. Kelly was openly
relishing the sight of her wrangler/roustabout's
tan, smooth, strap-dimpled flesh, including her bobbing breasts,
pointing nipples, thrashing legs, flexing feet, groping fingers,
twisting shoulders, and tossing head as the Brave Damsel
fought to escape her Cruel Restraints and regain her
freedom. Kelly was enjoying herself, and the only person
present was in no position to judge her for doing so.
About two minutes passed... possibly three... then the Mistress
of The Hermitage strolled to her desk and settled into her comfy
office chair. Fresh sheets were on the beds of the girls'
(Skylar and Fiona's) designated guest bedroom and extra towels
were in the main bathroom down the hall. All was in
readiness for the backpacking youngsters' expected arrival,
which should be sometime tomorrow. That meant there was
nothing to prevent Kelly from getting in a little writing time.
Kelly fired up her computer and set to work fleshing out the
character notes for her next novel, Princess Cyerra and the
Outlaw Elves. It would be the fourth installment in
her Kingdom in the Trees series, but before starting in
earnest she paused to tap a few keys and send a Taylor Swift,
Dua Lipa, and Billie Eilish playlist to Lorelei's
headphones. It was the least she could do.
Something like ten minutes later, Kelly sat back in her chair to
mull over what might still be needed for her notes on Eriu
Bravestar, the she-elf outlaw leader who would begin the
story as Cyerra's nemesis but by the final chapter would be the
brave human princess' friend and ally. Kelly spun her
chair to check on Lorelei... and smiled.
The naked, leather-harness-bound, ball-gagged, blindfolded, and
with headphones strapped over her ears was... dancing!
Kelly hadn't thought it was even possible to dance
while lying prone on a lounger/daybed, naked, leather-bound,
ball-gagged, blindfolded, and with headphones strapped over
one's ears, but apparently it was. In any case, Lorelei
was rhythmically rolling and swaying from side to side, bobbing
her head, waving her cuffed hands at her sides, and rocking her
feet! "Dancing" was the only thing it could be called...
and it was very cute. Also, the captive's efforts
were imparting a provocative oscillation to her
leather-strap-framed boobs. That was also very
cute.
Kelly turned back to the keyboard, tapped a few more keys, and
thereby routed the music to Loreli's headphones and the
Writing Room's speakers.
♪♫♪♪ Watch me da-ance, dance the
night away! ♫♪♪♫
♫♫♪ My heart could be burnin', but you won't see it
on my face! ♪♪♫
♪♫♪♪ Watch me da-ance, dance the night away!
(Uh-huh!) ♪♫♪♫
♪♪♫♪ I'll still keep the party runnin', not one hair
out of place! ♪♪♫♫♪
Kelly recognized Dua Lipa's Dance the
Night Away from the Barbie movie.
No wonder her favorite Ozzie Gull was "dancing" in blissful
bondage.